‘Jurassic World Evolution: Return to Jurassic Park’ Launch Trailer | Out Now!

Welcome back to Jurassic Park! The brand new classic Jurassic DLC based upon the first three films is now available on Xbox, PlayStation, and PC — check out the launch trailer below, and read on for more details!

Join Dr. Alan Grant, Dr. Ellie Sattler and Dr. Ian Malcolm on Isla Nublar, in an all new storyline where you’ll rebuild and open the greatest attraction on earth, Jurassic Park. Use your skill as an expert park manager to overcome intriguing new challenges, and show the world you’ve got what it takes to handle the heat when life finds a way!

For anyone who may have missed our previous announcement, this fantastic new expansion pack contains a whole host a brand new story missions, classic buildings inspired by film, dinosaur skins you’ll most definitely recognize and much more! Don’t forget, Jurassic World Evolution: Return to Jurassic Park comes alongside free update 1.12, with features that have been highly requested from the community like new Ranger team functions and a restroom requirement for guests.

Jurassic World Evolution: Return to Jurassic Park launches today on Steam, Playstation 4 and Xbox One for £15.99 ($19.99, €19.99).

Perhaps the most exciting bit of news is that Sam Neill, Laura Dern, and Jeff Goldblum have returned to voice the roles of Dr’s Alan Grant, Ellie Sattler, and Ian Malcolm respectively. They’re intregal to this altnernate cannon story where after the fateful events of the first film, they return to the islands and help Hammond rebuild. This time it will be flawless.

Stay tuned, as our review will be coming as soon as we’ve spent enough time with the game and completed its story!

Will you be picking up the ‘Return to Jurassic Park’ DLC, and what do you hope it adds to Jurassic World Evolution? Sound off in the comments below, and as always, stay tuned for the latest news!


Jurassic World and Soft-Canon: a Counteractive and Convoluted Conundrum

This article is a guest contribution by Thomas Fishenden.

When it comes to the Jurassic Park franchise, it is safe to say that there has been a lot of world building over the duration of the five installments which Universal Studios have produced. It is certainly safe to say that a lot has been added to the franchise over the years. The films have added new locations and new animals and characters, whilst the secondary materials – such as the viral marketing – have aimed to add in more continuity between the sequel installments. Canon, however, has not always been maintained – and there have always been issues which have plagued the Jurassic franchise and the continuity it shares between its various outings. We have seen Universal and Colin Trevorrow take steps towards addressing these issues in recent years – but unfortunately, a recent announcement during the press for Jurassic World: The Live Tour has us concerned about the future canonical consistencies within the franchise.

In the past, Colin Trevorrow has stated that he is the overseer of the franchise – and would oversee issues, such as Canon, moving forwards to ensure better continuity and cohesion across the property in the future. This had many of us excited, as it seemed to indicate that both Colin and the studio behind him were willing to take meaningful steps towards building a much more coherent cinematic universe. Indeed, it appeared that the Jurassic franchise would take a similar approach to other great franchises like Star Wars and Marvel, building outwards with meaningful connections to the very core pillars which first established the franchise. For a while, this seemed to hold true – with inconsistencies around the geography of the Isla Nublar report in both Jurassic World and Jurassic World: Fallen Kingdom openly addressed by the director, who proceeded to work with the team behind the viral marketing and surrounding canonical materials (Chaos Theorem) to build a meaningful explanation which alleviated the canon-breaking implications that the change in island geography had. Furthermore, the team working behind the scenes had the opportunity to build upon the background of the franchise – adding in new implications for the canon which alleviated some of the strained connections that the narratives of the more recent films had. It is safe to say that the Dinosaur Protection Group website, and other subsequent ventures, did a lot to build upon the canon in meaningful ways – addressing the concerns of long term fans and creating much more of a cinematic ‘universe’ than we had ever seen for the franchise before.

Whilst the Dinosaur Protection Group faded into obscurity after the cinematic debut of Fallen Kingdom, it appeared canon would continue to grow and expand within the franchise. This brings us to Jurassic World: The Live Tour. Press Events for the tour (see Chris’s coverage from an event in April of this year) got fans excited – with a clear focus on developing a story which could fit within the confines of a pre-established Jurassic World narrative. Indeed, whilst some of the live show would build upon the back of the blockbuster film, showcasing the Indominus rampage on Isla Nublar, the clear majority was stated to be a brand-new story exploring a top-secret InGen Facility in Chile. The story follows Doctor Kate Walker, who was working with dinosaurs in a similar behavioral capacity to Owen Grady, and has essentially been pitched as the other half of the IBRIS project which we see on screen within Jurassic World. This, again, is a project which has always been relatively secretive on-screen, so fans were excited to be able to learn even more about this new piece of lore which was sure to build upon the fundamental ideals explored within the first Jurassic World film. Anticipation was high – and this was only exasperated further by the debut of Battle at Big Rock, which explored more new characters within the same universe, after the events of Fallen Kingdom.

Unfortunately, however, it seems that the story continuity will not last.

Fast forward to the start of November, when the Live Tour is kicking off with its worldwide premiere. Colin was interviewed by the Social Media team working on behalf of Feld Entertainment., and in an Instagram story on the official tour account, Colin was asked where the events of the show fit within the timeline of Jurassic World. His response was as follows:

“We have something we call soft canon – which is that it happens, but it also exists within its own space. You know, Feld’s writers and creators made a new and original story which exists within the context of Jurassic World and I think people are really going to love it.”

This statement is great when we consider how passionate Colin is for the franchise, and it is nice to see how excited he is about the live show – but it also poses a very real problem for the franchise moving forwards. That statement of ‘soft-canon’, and the careful phrasing of this show ‘existing within the context of Jurassic World’, has set alarm bells ringing for many fans – suggesting that the show may not be a meaningful fit within the pre-determined canon of the franchise, as was previously implied. Soft-canon itself is an alarming phrase, considering its what ‘Jurassic World Evolution’ is described as — something that is not canon at all, but adheres to the rules of the universal while carving out its alternate reality.

This becomes problematic as a universe which is built without canon in mind can very quickly crumble and implode if not handle with a degree of oversight and brand management. Disney know this all too well – and it is the reason why the Star Wars Expanded Universe is now referred to as ‘Legends’. Here, Disney told too many stories which conflicted with one another and posed potential problems for the canons of the franchise so they had to restart this from the ground up and discount any of their old stories as being non-canon unless reintroduced into modern films or properties. Whilst this soured many Star Wars fans, Disney could get away with this because of the sheer scale and scope of Star Wars and its fan-base, with many more pre-established stories already under the franchise’s belt. Jurassic, in contrast, is a relatively new and expanding franchise with a smaller fan base, and so the movements made to grow the brand really need to be considered and thoughtful to connect with audiences and build a meaningful and consistent fan base. Therefore, the term ‘soft canon’ being thrown out so early in the growth of the franchise has both I and many other Jurassic fans concerned about the future direction of the franchise.

It should also be noted that Star War’s non-canon ‘legends’ media only consists of expanded fiction that came out prior to The Force Awakens. Everything since then has been carefully cultivated to fit within the ever expanding galaxy, working with their brand team, writers, and directors as to not contradict the films, but add to them all while telling their own stories. Why Jurassic cannot do this, especially given their stable creative team, and smaller universe size, is a frustrating mystery.

Whilst I appreciate that it is hard to canonise a Live Tour (other properties like ‘Marvel Universe Live’ opted to tell entirely separate stories), I think straddling the line between canon and ‘soft canon’ is an attempt for Jurassic to have its cake and eat it too. Whilst it’s a humble attempt at developing upon the IP, I feel that it misses the mark and misses what fans have truly been clamoring for – which are stories which will have larger impacts on the overall franchise whilst enabling them to connect with these characters and these stories in much more meaningful ways. The attitude of utilizing ‘soft canon’ poses a worry for fans, as it brings into question upcoming properties like Camp Cretaceous, and where they will stand in terms of both canon and impact on the other properties within the franchise. Whilst there is certainly an argument for these being more children’s tailored properties, it is important to note that even in that regard a canonical middle ground is achievable. Take, for example, Star Wars: The Clone Wars. This property found a way to tell stories within a pre-existing universe whilst not damaging canon. In fact, Clone Wars could build upon the pre-established in interesting and meaningful ways – connecting with both older and younger fans alike. This was due not only to the creative vision of Dave Filoni, but also due to the creative oversight and brand consistency which Disney and the Star Wars team had in place – and something which Jurassic seems to be sorely missing at this moment in time.

For the Jurassic World Live Tour, the format itself doesn’t entirely mesh with real world antics – so we understand that the action and context that which the story plays out may not be 1:1 to canon. But there is no reasons the overarching story itself of Dr. Kate Walker, InGens facility in Chile, and the events that subsequently played out cannot be canon. A simple “The story is canon, the action within and execution of it is soft canon” would be far more understandable. It was stated numerous times that Colin Trevorrow was involved from the start to make sure the story is hard canon. So what happened?

Make no mistake – I, and many others, are excited for new stories to be explored within the Jurassic universe. Many of us have clamoured for more from this brand for years, so the fact that we are finally getting this is exciting, and is a true testament to the creative passion of individuals like Colin Trevorrow. But, with that said, oversight is important too – and it’s important that this is built into a brand with solid foundations so that these stories can continue to be told for years to come. With that in mind, an organisation like Chaos Theorem or someone else altogether really need to be empowered to get more involved in the day-to-day canon of this universe, so that we can finally have something which feels cohesive. Continuity has always been a matter of discussion for Jurassic – and in some ways, poor continuity adds to the charm of these films. But, if Jurassic is to ever grow into a franchise with the power to do more than beat back other big names at the box office, then it is crucial that canon is considered, and that the time is taken to build a rich universe for these stories to take place within.

What do you all think? Where do you stand on canon in cinema, and is it important to you that these side projects tie in? Sound of in the comments below!


Uniting the Franchise: How Jurassic World 3 Should Incorporate Dinosaur Designs from ‘Park’ Films

Art by Neemz.

2021 is swiftly approaching. Jurassic World 3 is already shaping up to be an event unlike anything we have seen since the original Jurassic Park. With Sam Neill, Laura Dern, and Jeff Goldblum all returning for major roles in the upcoming film, it is easy to see that we are in store for a movie with some serious callbacks to the film that started it all. With the return of old human characters, Jurassic World 3 is posed in the perfect position to be a film that showcases the original aspects of Jurassic Park side by side with the new ideas put forth in the Jurassic World movies. We can talk about the human characters until the sun goes down, but at the end of the day, the highlight of Jurassic has always been the dinosaurs.

One complaint that we see time and time again is how different some of the dinosaurs look in the newer films. While some fans view these differences as a major drawback, it’s time to take a hard look at how these perceived differences actually present a unique opportunity to showcase exactly what these dinosaurs are: genetically engineered, theme park…creatures. In other words, these dinosaurs are simply lab-created animals melding natural science and science fiction.

So today, let’s take a look at some specific examples of these differences. Let’s start with a classic: the mighty Stegosaurus. We first got a glimpse at the creature on Isla Sorna in The Lost World Jurassic Park. This Jurassic Park era Stego was on the more athletic side. As you can see below, it featured a straight tail and narrow head, which featured a beak of some sort. Its athleticism was put on full display when it sensed a threat in Sarah Harding approaching its infant.

Now, let us compare that to the Jurassic World era Stegosaurus. The new creation featured a heavier retro build, with a drooping tail and a wider head (with lips instead of a beak). Their coloration is slightly different, and their skin texture is entirely different than their park counterparts. We’re first introduced to them roaming Nublar’s Gyrosphere Valley in Jurassic World, presumably engineered under Masrani’s supervision to achieve certain goals.

In a universe where scientists have been cloning and creating new dinosaurs for over twenty five years, these differences can be explained by genetic manipulation. Perhaps the old Stegosauruses were just too agile and destructive with their more athletic build and size. Maybe the Jurassic World scientists realized a beefier build appealed to the parks older demographs who imagine dinosaurs with more outdated views. Questions like these are exactly the kind of lore I believe are ripe for answering in Jurassic World 3. Before we move on to how exactly the movie can present those answers in a natural way, let’s take a look at another dinosaur example.

The Ankylosaurus is well-known for the armor plating all along its back, but the different eras of Jurassic took the animal in otherwise different directions. We first see the Jurassic Park era Anyklosaur in Jurassic Park 3 as it lumbers underneath the tree some of our characters are hiding out in. It touts rougher scale-based armor with a smaller, colorful head. It has a narrow and angular build overall and is not overtly large.

Once again, let’s look at the Jurassic World edition Ankylosaurus that we see duke it out with the Indominous Rex. Not only is the Jurassic World era animal bigger, it has defined armor plating and a larger, uniform-color head. Just like the Stegosaurus, it sports a bulkier, stockier build overall. It’s been theorized that ‘World’s’ Anylosaurs are female counterparts to ‘Park’s’ males.

Ankylosaurs and Stegosaurs are only scratching the surface. Numerous other species have distinct sub-species within the Jurassic films, with 3 different Pteranodon breeds, over 3 different breeds of Velociraptors, plus a variety of sexual dimorphism seen within Parasaurs, Brachiosaurs, and more.

The best step for Jurassic to take is to embrace the differences and use them as a tool to enrich the deep mythology the universe has already given to us. I mean, who wouldn’t want to see the Jurassic Park 3 raptors running around Blue? That sort of variety in appearance is a treasure trove of rich story that has largely only been explored by the DPG marketing campaign for Jurassic World Fallen Kingdom. It’s important to not stifle that variety, but embrace it fully, and bring all these elements from various films together.

However, not every difference is a canonical variation – the T. rex of Jurassic World being a prime example. Many fans have complained she looks off from her Jurassic Park appearance – and it’s true – the design has changed in more ways than just aging. This love for Jurassic Park’s iconic designs is another prime reason to bring them back. Not just nostalgia – they’re some of the most iconic creature designs in cinema. Embrace the masterclass work of Stan Winston Studios, Crash McCreery and ILM that laid the foundation for Jurassic World.

We know that Jurassic World 3 director Colin Trevorrow plans to expand the universe even more and deal with these creatures on a much larger scale now that they’re part of our world. One of the best ways to explore this evolution naturally, while keeping it tied to the past films is to simply go back to the older, forgotten dinosaurs. Likewise, we can finally explore how these various subspecies may interact – what would a crossbreed of a Jurassic Park female raptor and JP3 male raptor look like? Or would they never have the chance, fighting for territory instead?

What makes the Jurassic Park novel so great is that it tackles the science aspect of the story head on – the novel version of Wu has candid conversations with Hammond about manipulating the DNA of the dinosaurs to alter their physical characteristics and change the way they behave. If we’re trying to find inspiration, that’s where to start the search. Having a character in the movie, like Wu, explain the differences between all the animals on screen only serves to deepen the canon in a positive way. Not only that, it serves as a natural explanation for why Project IBRIS with the raptors at Jurassic World was (eventually) successful compared to the more aggressive raptors from the previous movies.

What are your thoughts on the dinosaur differences? Is this a purposeful creation from Jurassic Park scientists, or do you think the filmmakers were just looking to switch up the styles? If you believe the science backs it up, would you like to see it explained on screen? Sound off in the comments below and tell us how you would explain the uniqueness of the dinosaurs!

Jurassic World 3 to film in the Mediterranean

The theme park dinosaurs of Jurassic World are spreading to Europe, well at least the film crew is. According to a report from newsmalta, the production for Jurassic World 3 is set to film on the Mediterranean island country of Malta later this year!

As pointed out by our friends at The Jurassic Park Podcast, other productions such as Assassin’s Creed, 13 Hours: The Secret Soldiers of Benghazi, Murder on the Orient Express and Game Of Thrones have previously filmed on the island country. Now will Malta serve as a backdrop for a return to Isla Nublar or even Isla Sorna? Or could it be an all new locale for the franchise? All that will eventually be answered as production begins and eventually with the film’s release on June 11, 2021.

Colin Trevorrow is returning to the director’s chair for the 6th installment of the franchise and the film will see the return of Chris Pratt, Bryce Dallas Howard along with the original 1993’s Jurassic Park cast of Sam Neill, Laura Dern and Jeff Goldblum.

What are your thoughts on Jurassic World 3 filming in Malta? Let us know your thoughts in the comments below and on our forums.

Thank you to The Jurassic Park Podcast for uncovering this news.

Source: newsmalta

‘Jurassic World Amber Collection’ by Mattel Revealed at SDCC – GameStop Exclusive – Available for Pre-order Now!

Preview night roared into action yesterday at the San Diego Convention Center for San Diego Comic Con 2019, and with it many new Jurassic World reveals occurred! Perhaps most notably is the official unveiling of Mattel’s 6 inch scale Jurassic World collectors series – the Amber Collection:

To bring the Amber Collection line to life, Mattel has partnered up with GameStop as the exclusive retailer for the exciting lineup. With GameStop comes a great but simple opportunity for collectors – the ability to pre-order the items, guaranteeing you the toy upon its release date. GameStop is no stranger to pre-orders, and offers this for all their upcoming products such as videogames and consoles, which meant they were a perfect fit for high demand collectors items such as these!

The initial wave of items in the Amber Collection are a Dr. Ian Malcolm figure from Jurassic Park, and a Jurassic Park female Velociraptor – and they are available for pre-order now! Dr Malcolm is available here, the Velociraptor is available here, and a online exclusive bundle pack is available here! We strongly reccomend you pre-order ASAP (whether online or at your local GameStop store), as with any exclusive item and collectors lineup, the availability will be more limited than the other toys with the potential of selling out.

The pictures show just how detailed each of these items are, and gives a great look at their amber themed display stands. Malcolm and the female classic Velociraptor are expected to ship this October, so be sure to pre-order now. No word yet on when Owen and Blue will be available, nor what the packaging will look like, but we expect those reveals to happen soon!

We’re on the floor at San Diego Comic Con, so stay tuned for more coverage and pictures on our website and social media channels. We had the chance to talk to GameStops James Parker about the Jurassic World Amber Collection, so keep your eyes peeled on our site for the full interview soon!

What are your thoughts on the Jurassic World Amber Collection, and what other dinosaurs and humans would you like to see? As always, let us know in the comments below, and stay tuned to Jurassic Outpost for all the latest news!


The Dinosaurs of Jurassic World Are Both Male and Female, and They’re Breeding

When John Hammond dreamed up the idea of Jurassic Park in the later years of the 20th century, he thought he had control of the future. “We control their chromosomes, it’s really not that difficult,” Dr. Henry Wu (Hammond’s ‘Chief Geneticist’), proudly proclaimed, going on to mock Dr. Malcolm “You’re implying that a group comprised entirely of females will…breed?” Little did he or John Hammond know what lack of control they truly had on this expansive and ultimately impossible idea. Sure, Jurassic World boasted roughly 10 years of control over these animals – but – “You never had control. That’s the illusion.”

In the beginning of the franchise, we’re told that all the dinosaurs in Jurassic Park are female. This is because, as Wu says, “all vertebrate embryos are inherently female, anyway. They just require an extra hormone given at the right developmental stage to make them male. We simply deny them that.”, ultimately displaying the ignorance and arrogance Jurassic Park is showcasing. Hammond and his team of scientists were trying to force nature into what would end up being a very unnatural state. “Life finds a way,” as Dr. Malcolm puts it, nature fights back, and he is proven correct.

As you know, later in the film, Dr. Grant and the kids come across velociraptor eggs. Eggs mean reproduction. In vertebrate species, reproduction typically means males and females (though in certain scenarios with some vertebrates asexual reproduction is possible). However, as we discovered that from the very start, there always have been both males and females in Jurassic Park, though they’re not always distinguishable via sexual dimorphism. The Lost World confirms the dinosaurs are reproducing sexually, distinguishing the sexes of the animals with the Tyrannosaurs and Velociraptors. We’re introduced to the fact that male Tyrannosaurs are green, while the females are brown – further, male Velociraptors are brighter orange with distinct tiger-like stripes. Later, in Jurassic Park III we’re introduced to new raptors, where the males have a stripe running down the sides of their back (a feature later reflected in Velociraptor Blue) and feather-like quills. The females are more white in appearance. (This makes sense because – no offense ladies – in nature, males are usually more vibrant, like cardinals for example. This is because the females are usually the ones doing the hunting and protection of their young, and so for these reasons, they need to be more dull in color and blend in better to their surroundings.)

So what’s the deal with the dinos in Jurassic World? While Jurassic World established that the Raptors, Mosasaur and Indominus are female, we do know that there were also males, and controlled breeding, like in today’s zoos. This tweet from writer/director Colin Trevorrow himself spells it out:

This information from Colin Trevorrow confirms that between Jurassic World and Jurassic World: Fallen Kingdom, the animals were breeding on Isla Nublar. In Fallen Kingdom, there’s an Allosaurus that is literally called a “juvenile” Allosaurus, and you can also see various baby Triceratops several times. If you’re reading this and thinking you were the only one who thought that the animals were all female, don’t worry, you are not alone. Strangely, numerous instances of licensed material for the franchise have stated that all Jurassic World dinosaurs are female. Mattel has referred to the male “buck” rex as female, for instance, while ‘Jurassic World: The Evolution of Claire’ has also claimed all animals to be female. (Side bar: I’d love to see male and female distinction in the games, and even a “controlled breeding” element. This could be risky territory – I just want to see baby dinos, can you blame me!?)

This makes the ending of Fallen Kingdom all the more significant: now that the animals are on the mainland, they will continue to breed. There obviously aren’t multiple rexes or raptors released from Lockwoods estate, so their reproductive options are limited. However, there were multiple ankylosaurs, ceratopsians, theropods, sauropods, and others released into North America that will certainly have the chance to reproduce naturally.

I am interested to see how the animals will repopulate in the Americas as invasive species, if that is something that Colin Trevorrow decides to explore. The key for combatting this invasive species threat will be response time to their capture. Compies would likely be impossible to locate and capture – there could be thousands running around after a few years. Conversely, some of the larger animals will be easier to isolate and capture with the help of the technological forces of the 21st century. With the amount of animals that were released from Lockwood’s estate, there certainly had to be a few males and females of most of the species and they will have the ability, if given the opportunity, to breed. After all, they’ve always been male and female, and breeding – ever since 1993.

If you ever forget that, just remember the words from Owen. “They’re thinkin’ I gotta eat…I gotta hunt…I gotta…”

‘Jurassic World’ Animation Supervisor Glen McIntosh Holding Lecture This Saturday at the Royal Tyrrell Museum of Paleontology!

If you’re anywhere near the Royal Tyrrell Museum of Paleontology in Alberta, Canada, you’re in luck! ‘Jurassic World’ Animation Supervisor, Glen McIntosh, is giving a lecture this Saturday May 4th! The lecture will take place on May 4th at 1:30 p.m. in the auditorium, where Glen will talk about realistic creature design and animation.

As a bonus, Glen will be signing original artwork (limited supplies) in the museum lobby after the talk, which is not to be missed!

The lecture is free with admission, so if you’re an artist of any kind, or just a movie or dinosaur fan, it’s something you don’t want to miss! Glen has worked on numerous Jurassic projects, including Jurassic Park 3, World, and Fallen Kingdom, and has worked with both the designs, art, and of course, the animation of the dinosaurs.

Will you be attending? Be sure to share your comments and photos online so!

Vote Now: Jurassic World Dino Battles ‘March Madness’!

It’s March Madness, and that means bracket polls and online voting.

Inspired by the official Jurassic World ‘Jurassic Battles’, we decided to spice up the variety and make things more difficult (for starters, not pairing off the battles by those already in the films with winners).

Vote Now!

Choose your favorites, or who you think would win logically – there is no wrong way to votes! Our poll notably includes some ‘Jurassic Park’ favorites like Dilophosaurus and Spinosaurus, and is sure to challenge fans with their picks. So what are you waiting for? Round one ends on March 24th, and the finals conclude on the 31st!

Of course, we couldn’t feature every species – and while we love the Mosasaurus, including her just seemed unfair for the competition. Be sure to come back and vote for every round – and as always, stay tuned for everything Jurassic!

Exclusive First Look at Mattel ‘Jurassic World Dino Rivals’ Fall Lineup!

New York Toy Fair may have ended well over a week ago, but that doesn’t mean the reveals have ended! In collaboration with Mattel, we have the first look at some of the upcoming Fall Jurassic World Dino Rivals lineup!

These items are a small sampling of the numerous toys coming out later in the year, which includes multiple new sculpts, species, and repaints! Take a look at the lineup below:

Attack Packs – $7.99

The small Attack Pack assortment will see many great new additions later this year, including the carnivorous Mononykus which is the first fully feathered Jurassic Park dinosaur toy, and the adorable Mussaurus, once believed to be a uniquely small Sauropod due to only juvenile fossils being discovered.

Savage Strike – $9.99

The Savage Strike assortment will continue later in the year, and while its full breadth of species has yet to be unveiled, we have a tease of one of the new items: the Jurassic Park 3 Male Raptor sporting a unique non-film color scheme. While he was slated to release in film colors in 2018, the item was sadly canceled, but thankfully the sculpt lives on here!

Mega Dual Attack – $19.99

Hold on to your butts, as we have the exclusive first look at the Mega Dual Attack Quetzalcoatlus. This magnificent flying reptile is one of the largest flying animals to ever exist, and makes a fantastic new Jurassic World toy. The Quetz can attack with button activated flapping wings and a head strike action!

Be sure to also check out the first look at Mega Dual Attack Amargasaurus via our friends at Collect Jurassic!

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Collect Jurassic has partnered with Mattel to exclusively reveal part of their upcoming Fall figure releases for their Jurassic World Dino Rivals toyline! New entries in the Mega Dual Attack, Attack Pack, and Savage Strike assortments are all on their way in addition to what was revealed during the New York Toy Fair. Without further ado, we can first reveal this Collect Jurassic-exclusive image of the Mega Dual Attack Amargasaurus, as well as images of the Mononykus, Mussasaurus and feathered Velociraptor coming our way. See the full reveals on collectjurassic.com, as well as an exclusive Quetzalcoatlus reveal on @jurassic_outpost! #collectjurassic #matteljurassicworld #jurassicworld #jurassicpark #mattel #exclusivereveal #toys #dinosaurs #toycollector #amargasaurus #mononykus #mussasaurus #velociraptor

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Also coming later this year is the Destroy N Devour Indominus Rex, new Roarivore repaints, Super Colossal Blue, and more! Be sure to check out our Toy Fair coverage for those pictures, and our buying guide for the toys already available!

What new toys are you most excited for? Be sure to sound off in the comments below, and stay tuned for all the latest news!


New Walmart Commerical features ‘Jurassic Park’ Explorer and Compys!

Walmart released a commerical during the Golden Globes this past Sunday for their new grocery pickup service, which allows customers to order groceries online and have it delivered to their car. By the end of 2019, Walmart hopes to have 2,140 online grocery pickup sites. The promotional commercial released features iconic vehicles from TV shows and movies such as the Batmobile, the Ghostbusters ambulance, Knight Rider Firebird, Dumb & Dumber “Mutt Cutts” van, Scooby Doo Mystery Machine and most importantly, the Ford Explorer from Jurassic Park.

“We not only picked famous cars from iconic movies we knew would be instantly recognizable to our customers — and launched the campaign during one of the film industry’s most popular awards shows — but we also worked with a variety of different Hollywood studios to gain access to these vehicles,” Messing explained. “This helped ensure the famous cars looked just like what our customers knew from the films, while demonstrating the ease, speed and convenience of the service and that it’s for everyone, regardless of what car you drive.”

Below, please enjoy the 90 second commerical from Walmart featuring the Jurassic Park Ford Explorer and compys!

What do you think of Walmart using the classic Jurassic Park Ford Explorer in their advertisement? Let us know your thoughts in the comments below and on our forums.

Source: Walmart, Supermarket News